get out soundtrack vinyl waxwork records

Get out soundtrack vinyl waxwork records movie#
Get out soundtrack vinyl waxwork records license#

So, we get those original masters, and then transfer them, mix them down, and master for vinyl. We located the masters for Rosemary’s Baby in Australia and the masters for Creepshow in an attic in Pittsburgh. Often times, these original masters are thought to be lost, or destroyed. Can you discuss the process for how these records come to be?īergeron: The Waxwork standard is seeking out original master tapes as our source material. LM: Part of the reason for the popularity of your catalog has a lot to do with the meticulous detail that goes into the sound quality. Although, we’ve done a trade with Mondo before, and we may co-release something in the future, but that’s all in its infancy right now.

Get out soundtrack vinyl waxwork records license#

Do you consult with them so you’re not trying to license the same titles?īergeron: No.

Get out soundtrack vinyl waxwork records movie#

LM: Mondo Tees/Death Waltz also specialize in releasing horror movie soundtracks on vinyl. The company has released over 11 albums over the past two years. Danny Elfman’s score to Clive Barker’s Nightbreed was Waxwork Records most recent release on vinyl. If we like it, and the music is interesting, we’ll go for it. From an outsider looking in, it would be easy to peg Waxwork as a label that’s all over the map because we will release a B-Movie, and then the next month we’ll release something in the Criterion Collection. We are pretty selective with the titles we seek out. Bergeron: How do you go about selecting titles to release? LM: You’ve now released 11 soundtracks on vinyl since July 2013. I was honestly very nervous that we wouldn’t sell many records. LM: How much of an impact did the resurgence of vinyl sales across the country have on the decision to form Waxwork Records?īergeron: When I started the label, I only had a vague notion as to the resurgence of vinyl and record sales numbers. I love brainstorming and diving into new projects. There was a start-up period where no one knew about us for six months, and I really enjoyed that time. It was this really special time, and a really organic thing. I was toying with the idea of starting a label.

I had just come off of a tour in Cuba with my old band, and it was quite evident that the break up was coming. I decided to marry the two things I’m most interested in, vinyl and horror. I’m also a massive fan of horror movies, but also of just classic cinema in general. Kevin Bergeron (Bergeron): I already had experience recording music and pressing records. How did the decision to start a record label focusing on vinyl horror movie soundtracks come about? Limelight Magazine (LM): Your label was launched in 2013 and is celebrating its second anniversary this month. The company is celebrating its 2nd anniversary this month. Richard Howard Band’s soundtrack to Re-Animator was the first album released on vinyl by Waxwork Records in June 2013. In our interview, he discussed why he founded Waxwork Records, how titles are chosen, the meticulous amount of detail that goes into creating each record, and a sneak peak of what future releases are in the pipeline, including additional Friday the 13th titles and The Babadook.

We recently caught up with its founder and CEO, Kevin Bergeron, who graciously took time out of his busy schedule to do a Q&A with us. Their first release was the soundtrack to Re-Animator by composer Richard Howard Band in July 2013 and, since then, they have released 10 other soundtracks, including Day of the Dead (September 2013), Rosemary’s Baby (January 2014), Creepshow (April 2014), Chopping Mall (May 2014), Friday the 13th (September 2014), Trick ‘r Treat (October 2014), Phase IV (March 2015), Starry Eyes (May 2015), Friday the 13th Part 2 (July 2015) and Nightbreed (July 2015).

This month, Waxwork Records is celebrating its second anniversary. Unlike many soundtracks that were released in the past, these companies spend an extraordinary amount of time on the sound quality and mastering, as well as the artwork and packaging, making them a must have for genre fans, vinyl collectors, and people looking to hear great music that may not ordinarily see the light of day!!! These companies include Mondo/Death Waltz Records, One Way Static Records, and Waxwork Records, among others. Over the past few years, the resurgence of vinyl has given rise to a number of production companies that specialize in releasing horror soundtracks solely on vinyl. Can anyone picture watching Psycho without Bernard’s Herrmann’s string score, Halloween without the music of John Carpenter, or more recently It Follows without the electronic sounds of Disasterpeace (see related story HERE). Any horror movie fan knows the score is an essential component of the film.